Taking better news portraits'"with or without a DSLR

Technology is increasingly putting the potential for a great photograph in the hands of people all around the world. Even if you’ve never had any formal training, taking an awesome photograph can happen at any moment. Here are a few tips for making those moments happen even more often.

For the self-concious non-model types…

Ever wonder how so many celebrities appear to know just how to pose for a photo? A lot of it involves posturing to make the subject appear thinner. Remember that much of what the viewer will see involves perspective, so shooting from extreme angles should be reserved for the sort of thing where you are illustrating something that looks extreme (some sports, musicians, etc.) Here are a few tips to pose a subject.

Double Chins .. Make sure your subject pulls their head, just slightly forward. Double chins appear on thinner subjects if they try to “turtle” their head back into their neck.

It’s in the feet … Ask your subject to plant one foot in front of the other and place their weight on their back foot. This sideways angle will give a “thinning” appearance.

Cock their shoulders … Unbalance your subjects shoulders to avoid emphasizing their width. The head is usually much smaller than the shoulders and adding a little shoulder lean into the photos will lead the viewers eye as well as soften the impact of the shoulder width.

Suck it… in . Not too much! If your subject is sensitive about their weight, ask them to breathe in while pulling their shoulders back.

Hold this … Give your subject an item to hold on to, or place them in an interesting environment. Preferably the item and environment are relatable to the focus of the story. People that are doing something, are much more interesting than “floating” people in front of a backdrop.

Look down … The best camera angle for most subjects is to look slightly up at the person subject, while they are looking down. Looking down at a subject is rarely a flattering angle. The more imposing your subject should be, the more extreme the angle should be.

Stop the staring … Don’t always let every subject stare and smile. Sometimes you need to ask them to either relax, or just look in a different direction. Sometimes looking just off from the camera is enough to make the shot more captivating.It creates a sense of intrigue with the viewer. Another option is to have your subject look at an object within the frame. This generates a second point of interest, as well creates a connection between the two subjects.

Think differently…

Sometimes, no matter how good the subject may be at posing, they get snapped by a lame photographer. Don’t be a lame photographer.

Interesting angles … I know, above I outline some pretty clear examples of “best” angles. Sometimes, you have to ignore that though and go with an interesting angle to add a little bit more pop to a photo. By all means, break away from simply standing at eye-level with your subject. Those sort of photos may work for the casual photographer, but if you are trying to get your work into print, you need to offer something that is interesting to look at.

Get lit … Consider the lighting of your subject. You may be able to utilize natural light, or you may be restricted to the indoors, or require flash. All of these different light sources give a different look to your photos. I won’t go into the technical aspects, but be aware of the light type and direction when you are shooting. Back and sidelighting as well as the casting of interesting shadows (such as through a window blind) can make an otherwise boring shot exciting.

Get tilted … I’ve heard arguments against this, but I think stepping outside of the horizontal/vertical box can often add some fun and drama to your photographs. If a subject looks dull in typical frames, try flipping the camera on a diagonal.

A Final Word…

One of the most important tool to improve your photography is to change your attitude about photography. You can’t see yourself as a reporter that also take photographs. Give yourself a “slash” title. Reporter/photographer. Put as much care and diligence into composing a nice feature photograph as you would put into writing your story.

Remember that your job is tell a story. Photos that merely fill up white space will never fill your inbox with job offers, or even story ideas from subjects. A good photo is what will introduce your reader to your story. It is often even more important that the headline. Try to keep that in mind before you trip the shutter…

Cleaning Up and Organizing Your Digital Life

Today’s consumer spends an inordinate amount of time taking pictures and videos and sharing them across a spectrum of social networks. Over time, consumers create a body of work that at some point will get out of hand.

There will be videos and photos on your smartphone, camcorder and regular camera. Of course, days add up to weeks; weeks up to months; and, months up to years. This translates into thousands of digital memories in a variety of places that are unorganized and at times very hard to find.

To help prevent digital organization headaches, here are a few tips:

Find A Home for Those Memories
Our smartphones, memory cards and computers can only hold so many pictures and videos. External hard drives are a great way to eliminate digital clutter, especially those with USB 3.0 technology. Take a look at the Western Digital My Passport 2TB hard drive. It’s compact and packs a ton of space for roughly $300. Best part, it’ll allow you to have all your digital memories in one location that’s portable if it needs to be.

File Organization Should be a Priority
Once you have your external hard drive, you have to get the digital memories on to the device in a manner that will allow you to find them later on. You don’t want to spend hours looking for that one photo from Uncle Bob’s birthday that was taken three years ago. My suggestion is to file your photos and videos by year, month, date and then subject matter. For example, 2012 / July / 06-04 / July 4th Festivities.

Additionally, if you shoot in RAW format (digital negative), separate those files from your JPEGs, which are the photos that are in a social sharing friendly format. This will allow you to separate your digital “film” from the photos themselves.

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Kmart Black Friday 2010 Ad is Released (Full Ad Scan Enclosed)

The Kmart Black Friday 2010 ad, see the full ad here, has just been released and it is full of great Black Friday 2010 deals on electronics. It seems that electronics is the main attraction this year for some of these retailers for Black Friday 2010, as it has been in the past. Kmart does not disappoint in their Black Friday 2010 deals on electronics.

As many of you know, Black Friday 2010 is on November 26th this year, that is just ten days away for the start of the holiday shopping season. Some retailers like Walmart, are starting some Black Friday sales at midnight on Black Friday. But the Kmart sales do not begin until 5:00 a.m.

For all the Call of Duty: Black Ops players out there that have been waiting for a great deal, how about this? At Kmart on Black Friday you can get an Xbox 360 4GB with Call of Duty: Black Ops for $199.99. That alone is a reason to be at Kmart at 5:00 a.m. on Black Friday.

But there are more deals on Black Friday 2010 at Kmart. How about these great HDTVs that will be on sale at Kmart:

RCA 22″ 1080P LCD HDTV for $239.99
Sylvania 32″ 720P 60HZ LCD HDTV for $299.99
Samsung 32″ 720P 60HZ LCD HDTV for $329.99
Sony 40″ 1080P 60HX LCD HDTV for $549.99
Zenith 42″ 720P 600HZ LCD HDTV for $399.99

If you re looking for gaming systems then the following deals are available from Kmrt on Black Friday 2010:

Nintendo Wii with Wii Sports, Wii Sport Resort And MotionPlus for $199.99
PlayStation 160GB Holiday Bundle for $299.99

Or maybe this Christmas you are shopping for cameras. Kmart Black Friday 2010 sales includes a Canon Rebel XS 10.1MP Digital SLR Camera Bundle with a Canon EF 75-300mm Telephoto Zoom Lens for $579.98, this is for the serious photographer on your Black Friday shopping list. More reasonable priced cameras include:

Nikon L22 12MP, 3.6 Zoom Digital Camera for $99.99
Sony S2100 12.1MP, 3X Zoom Digital Camera for $89.99
Vivitar V8324 12.1MP 3x Optical Zoom Digital Camera Bundle w/2Gb SD Card, Case, Tripod and SD Reader for just $69.99
Other great Kmart Black Friday 2010 deals include:

iHome iPod Docking Clock Radio for $29.99
Sony Blu-ray Disk Player for $99.99
Blu-Ray select movies for just $6.99 and $10

Sources:

http://www.dealtaker.com/black-friday/kmart-black-friday-ads/

Tethering a DSLR

Tethering a DSLR – It’s a Beautiful Thing

Tethered shooting allows you to connect a USB cable from your camera to your studio computer (or laptop) so they talk to each other. When they become one, it’s a beautiful thing. As you shoot, the images show up in seconds on the computer and can be rated, saved or tossed. Some tethered programs let you see the camera settings, view the shot live and even trigger the camera.

To Tether or Not? A Comparison Scenario
Let me share a real world side-by-side example that brought the issue home for me. The scenario: It was a two-day shoot, talent portraits for one of our clients, on site, 30-40 people. We had a small crew, portable seamless, soft boxes, kick lights, remote strobes, etc. You get the gist.

We set up and each person came through our remote set and quickly returned to work. One day we shot to the camera memory card, the next day we shot the portraits tethered to a laptop.

Shooting To The Card
Some of the experience was counter-intuitive. For example, shooting to the card was fast, real fast. Each sitting accumulated 25-30 shots. Bang bang bang. Of course we occasionally reviewed the shots on the little on-camera LCD screen. After several sessions, we stopped, downloaded the flash card to laptop and resumed. Lots and lots of takes on the session sheets.

Shooting Tethered
The second day we tethered to our laptop. It was much slower, with less shots – more like 8-10 shots per sitting. After each shot we waited a few seconds for image to show up, we rated it, adjusted and shot again until we knew we had 2-3 keepers. Plus each person got to see the pics on the laptop screen and comment, some even picked the one they liked. Everything was saved to laptop as we worked.

So, the same job, two different days with tethering the only difference. After this A-B comparison, in my mind there is no doubt – do the tether thing!

  • quality vs. quantity of shots
  • the ability to verify on a higher res display
  • a real time pre-selection process 
  • direct save to computer
  • time savings in post
  • great piece of mind

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How to Use Your Digital Camera Settings

Digital camera settings can be confusing. Take full advantage of all the features that your new, or old , digital camera has to take great pictures in any setting. Here is your guide for how to use each digital camera setting.

Digital Camera Setting – Auto (Usually depi Never Be Nervous Before A Fight Again cted by a picture of a camera or the word Auto.)

The auto setting is just that, automatic. The auto setting is for those individuals who do not know how to use and chose from their digital camera settings. The default for the auto setting is flash on.

Digital Camera Setting – Aperture Priority (Depicted by an “A”)

The aperture priority setting is still fairly automatic, but you have the freedom to chose the f-stop. Use the aperture priority setting for a short depth of field, this will keep the foreground in focus while blurring the background.

Digital Camera Setting – Shutter Priority (Depicted by an “S”)

The shutter priority setting is useful for sports and action photos where you want to freeze the action. Just like aperture priority, the shutter priority is still fairly automatic. Chose shutter priority when the sports mode is not quite fast enough to freeze the action that you are trying to capture.

Digital Camera Setting – Museum (Usually depicted by a picture of a building.)

The museum mode is for quiet settings were sound and flash is not desired. Besides turning off the flash and sound the museum mode is still fully automatic.

Digital Camera Setting – Sports/Action (Usually depicted by a person running.)

The sports or action mode has a default high shutter speed. The fast shutter allows you to freeze the motion and avoid blur. The sports or action mode is perfect for photos of waterfalls, waves, and of course sports.

Digital Camera Setting – Night Portrait (Usually depicted by the silhouette of a person with a moon or star.)

The night portrait uses a default slow shutter and aperture to capture the person and the background. The slow shutter and aperture ensure an evenly lit photo with more detail. It is important to keep the camera steady when using night mode or the photo will blur.

Digital Camera Setting – Portrait (Usually depicted by a profile of a head.)

The portrait mode will blur the background while keeping the person in focus. Portrait mode is great for blurring distracting backgrounds. The portrait mode does require good lighting as flash will flatten the photo.

Never Be Nervous Before A Fight Again

Should You Ditch Your DSLR Camera?

There is a new trend in photo marketing. According to Wired.com, the Photo Marketing Association International (PMA) featured a new photography gadget that has the potential to make the DSLR camera obsolete.

The new trend in lens technology: mirrorless camera lens
The gadget is simply an adapter that allows users to interchange brands of lenses on the front of any camera, including Olympus, Panasonic, Nikon, Samsung, Minolta, Canon, and more. The adapter is an invention akin to the standardization of the assembly line by Henry Ford. It’s not the big old bulky adapters you may be thinking of, these adapters eliminate bulk and allow the lens to attach closer to the sensor.

Because the EVIL technology is mirrorless the body of the camera does not have to be as deep. This interprets to smaller, light-weight cameras which can focus tightly on the subject without worrying so much about the background.

The adapter is affectionately referred to by photo market professionals as EVIL (Electronic Viewfinder Interchangeable Lens).

New camera technology simplifies photography for professional photographers
The adapters are not designed for regular lenses; they are designed for new, EVIL mirrorless lenses which enable easy adaptation between cameras. Panasonic and Olympus are in the lead on the new development and the idea is hot among pros and amateurs who are tired of lugging around big cameras and lenses.

Samsung and Sony have already demonstrated a commitment to the new technology and have lenses in development. Anticipated release dates for their mirrorless camera lenses are expected within months.

Will mirrorless lens camera improvements knock DSLRs out of the market?
DSLR have gained a huge market share by professional and amateur photographers weary of the slow shutter speeds on digital cameras. Will the new adapter and EVIL mirrorless lens knock the DSLR out of the market?

I think it is unlikely that the DSLR market will be much affected, especially when it comes to amateur photographers. The average amateur DSLR camera user does not own a number of lenses, like a professional might, and wouldn’t know how to adjust the settings. The auto settings on a DSLR, with one extra lens, are helpful and provide enough clarity for the average amateur even if they are trying to improve their photography.

It would take a considerable amount of time for the average amateur photographer to learn to use the settings properly with the new adapter and mirrorless lenses. Settings like focus and F-stop would have to be adjusted manually, like an old 35mm. Automation features would not necessarily be compatible between cameras and different brand lenses. For those who don’t really know a lot about photography, this camera would be an overpriced toy.

The new set-up will make camera outfitting less bulky for professionals, but how many amateurs do you really see struggling with a variety of lenses. They generally have one camera, one lens, and are very happy to have automatic settings.

Who will benefit from new camera technology?
Those most likely to benefit from the new mirrorless lenses will be for professionals. That will also be the share of the market that is most affected by the new technology, which still leaves a lion’s share of the DSLR market for amateur photographers.

However, as camera technology continues to develop, I will not be surprised when someone finds a way to make all parts compatible. All I really care is that I can zoom and shoot.

Amateurs, without sufficient knowledge of photography will do well to steer clear of this new technology for a while. It will be expensive and if you don’t know how to use it you are going to get ticked when your pictures turn out looking shabby.

Sources:

Five Reasons You should Ditch your DSLR, wired.com
Mirror less cameras the death of DSLRS? wired.com
Photo Marketing Association International, pmai.org

Canon EOS Rebel T2i Digital SLR Camera Review

This is the very popular Canon Rebel EOS T2i and is the new entry level replacement for the T1i. It is one of the cameras to get if you’re even just considering getting an SLR in the entry level range because it is quite affordable. It has a few great features that have been inherited from the EOS 7D, which is a much more expensive camera. The T2i has a similar sensor to the 7D, especially when video is concerned as it does record full manual 1080p video with selectable frame rates of 24, 25, and 30. It will also do 720p video at 50 and 60 frames per second allowing you to do slow motion video capture.

It is an APS-C sized sensor so it will have a 1.6 crop factor. It is an 18 megapixel sensor just like the one from the 7D so it’s going to have great image quality especially for video with a DIGIC 4 image processor. With photography, it is almost as good as the 7D because the auto focus system is completely different. It has a 9 point automatic focus system with a single cross point in the middle for lenses that are F2.8 or faster, while 7D has a 19 point auto focus sensor system with all of the sensors being the cross type. This means the T2i is still great for taking still pictures of inanimate objects or slow motion objects, but not as great for taking pictures of fast moving objects such as someone running or a car whizzing by.

The T2i comes with either just the body alone or you can get it with the kit lens which is an 18 to 55mm lens. It also supports the full line of Canon EF and EF-S lenses if you would like to buy a separate nicer lens than the kit. The kit lens has image stabilization which is very convenient for beginners when using fast shutter speeds to prevent the image of focus from becoming blurry. The stabilization proves up to two stops which is perfect in low light conditions producing sharp images. The great low light capabilities of this camera come with an ISO 100 rating of 6400 which is upgradeable to 12800. You might not want to capture video with the 12800 as it will probably come out with some noise. But if you wanted to capture a picture in a very dark light, you can probably do it with such a high rated lens.

Continuous shooting with the T2i will give you 3.7 frames per second, which isn’t as fast as the 7D’s 9 frames per second. However it is not meant for that type of photography because it meant for portraits and other still frame pictures. The video has full manual control giving you the ability to adjust the F-stop, the aperture, and shutter speed. It has highlight tone priority just like the 7D. The display of the T2i is actually better than the screen from the 7D. The 3 inch clear view LCD has about 1.04 million pixels with a 160 degree viewing angle while the 7D has about 900K pixels.

The T2i uses SD cards for its memory rather than CF cards because, while nearly every laptop has an SD card reader, very few have a CF card reader. It can also read SDHC memory cards which provide up to 2TB of storage. It can also read Eye-Fi wireless SD cards which enable you to automatically link up to a hotspot and send the pictures to a location on the internet as you snap them with the camera, all without removing the card.

The T2i also shares the same IFCL metering system as the 7D, which is a 63 zone dual layer metering sensor that is built in to help get the proper exposure. The 7D has two DIGIC 4 image processors, but the T2i can function well with only one. The single DIGIC 4 can process video with a buffer that can fill 15 raw images at 3.7 frames per second which is good enough to process 1080p HD video.

The front of the camera has a button that releases the flash light which flips out into view at the top of the camera. There is a cover to conceal the lens when not in use and a depth of field preview button. On the left side of the camera, under the flap and just like the EOS 7D, are some input and output jacks. These include a stereo microphone input, remote control for the intervalometer, A/V out which can use a cable that provides composite output, and a mini HDMI out.

The back of the camera features the menu button and the display button which will show you all the video settings. If you are, for example, in video mode, the display button will show you different types of information you may or may not want to be displayed on the screen. To the right of the view finder is the dedicated video button which brings you in and out of video mode. If you want to control the shutter speed or the F-stop, you can press and hold the AV button while adjusting a slider at the top right of the camera. The Q button brings up an on screen menu that lets you change various other settings including the aperture and manual focus. Also on the back, are buttons for the auto focus settings, white balance, timer, and shutter release for when you want to go high speed continuous or high speed slow. The picture styles button will allow you to select candid, vivid, neutral, portrait and others styles. The play button will bring up images you’ve shot to be displayed on the screen, as well as the delete button which will allow you to delete them. Further up are two buttons that will allow you to zoom in on the photos you took, or have a focus assisted zoom while in video mode. These buttons also allow you to switch between the different types of auto focuses such as point expansion or center point.

At the top of the camera, right above the built in flash is a hot shoe for external flashes. There is a knob to adjust the diopters in case your eye’s vision needs adjusting. To the right of that is the all purpose preset knob for adjusting the camera’s settings to take the kind of photo you desire on the fly. These settings include video mode, full automatic mode, creative automatic mode, portrait mode, program mode, manual mode, TV mode, AV mode, aperture dependent mode, landscape mode, and a few others. Fully automatic mode is good for when you don’t know how to use all the other modes but be warned your pictures might not come out looking great as the camera will decide what settings are best for the picture conditions. The ISO button will allow you to change your ISO setting by holding it and sliding the slider next to it. There is also the shutter release button next to that as well. The viewfinder will let you see at 95%.

At the bottom of the camera you will find the tripod mounting hole that is aligned in proportion to the center of the lens. Next to that is the flap that covers the battery compartment. The battery is a 1250mAh pack called the LP-E8 which is newer than the one in the EOS 7D.

Older Rebel cameras had very little exposure compensation and no bracketing. However, the T2i has bracketing. Bracketing allows you to take three separate pictures at ones at different exposures for each. Using a slider, the camera will allow you to select a fraction of an exposure that differs from the main picture up to two complete stops in the positive and negative. The T2i supports the 580EX, the 430EX and 270EX and all the other EX series external flashes. It also supports the RC6 infrared remote trigger.

Overall, at half the price of the EOS 7D, the flagship EOS Rebel 72i is perfect for shooting pictures at low speeds and video that is the same quality as the 7D.

Long Exposure Photography with a Digital SLR Camera

I use a Nikon D40 so I’ll be referencing those controls, but long exposure photography can be taken with any digital SLR camera, and most have similar controls.

It’s best to take long exposure photography during the night or in a darker setting. Long exposure means that the shutter on the camera will be open for a longer amount of time than normal. And the longer the shutter is open, the more light will be allowed in. Because of this, if you try to take a long exposure shot on a sunny day, you’ll have a very over-exposed photo.

Another important thing to remember about long exposure photography is that you’ll need a tri-pod. It doesn’t matter how steady your hand is, if you try to take long exposure photography without a tri-pod, you’ll have a blurry photo. Sometimes the photo will still seem blurry with a tri-pod. This could be caused by movement of the camera when you press the shutter button. To keep this from happening, you can put a delay on the shutter for a few seconds. This way, you can be standing away from the camera while the shutter is open to keep camera shake from happening.

Alright, now that we have that out of the way, let’s get down to business. You’ll need to put your camera into shutter priority mode. On a Nikon, it’s a little S on the menu wheel. I think it’s the same for most SLR cameras.

You’ll want to experiment with how long you want the shutter to stay open. This can be anywhere from ΒΌ of a second to 30 seconds. When you start keeping the shutter open for full seconds, the camera will usually show this with quotation marks. For example, if I was keeping my shutter open for 2 seconds, it would display the shutter speed as 2″.

On some cameras there is a bulb setting. This setting will allow you to time the shutter speed yourself.

Using long exposure can lead to some beautiful shots. Some of the most popular subjects for this type of photography is flowing water or waterfalls and traffic lights. It can cause a very surreal look to water and it will really make lights shimmer.

Nokia N9: Most Interesting Phone of 2011

If I were able to try out any smartphone that has either just been released or will be released in the near future, I would have to go with the Nokia N97% Conversion Und Mehr >. Yes, I would even choose it over the iPhone 5 that may be released as early as this Fall. It’s not that I think that the N9 is the best of the bunch in terms of comparing it to Apple’s phones or any of the various flavors of Android or Windows Phone 7. Instead, this is the phone I’m most curious about for the simple fact that it’s so different from the competition in several ways.

Why do I think that?

For one, the phone is running MeeGo OS 1.2; an open-source operating system platform led by Nokia and Intel among others. I’ve always been curious about MeeGo for a while now but I’ve yet to have had the opportunity to try it out. While reports are that the OS isn’t quite up to current iOS and Android standards, it does bring some unique things to the table including a tri-screen navigation system consisting of apps, notifications and multicasting. It’s a simple and elegant layout that seems to be a happy medium between Apple’s iOS and Google’s Android user interface.

The second reason I would choose the N9 as the smartphone I’m most curious about is the hardware itself. The phone just looks sweet with the full-screen glass front sans a single physical button interrupting it. Also as is common with most Nokia phones, the 8-megapixel camera with the Carl Zeiss lens, it puts most every other smartphone camera to shame. The camera is apparently so good; you’ll forget that you even had a stand-alone digital camera 99% of the time.

So while many people are out there aching to get their hands on the newest Samsung, Motorola or Apple smartphone, count me as one of the few that is dying to check out the Nokia N9. It may not be the greatest phone, but I’d say it’s definitely the most interesting.

 

7% Conversion Und Mehr

Canon PowerShot SD790IS: Save Your Money or Get an Exorcist

I have been a huge fan of Canon digital cameras for years now. But I have to say that I was disappointed with this model. I purchased it to upgrade from the SD750IS in hopes that I would get an improved experience. Unfortunately, not only did I not get what I was looking for, but now I want my SD750IS back!

Let me contradict myself quickly by saying that the SD790IS is a lovely camera. It looks innocent enough with its heavy duty and almost artistic casing with sharp, rich lines. It has the extra large three inch LCD screen on the back and all of the features you would expect with a Canon product. It seemed like a no-brainer and so I purchased a camera that I was sure would not disappoint me. After all, when had Canon ever let me down?

But immediately I was bothered by something fairly trivial. The casing was such that every little fingerprint left a smudge and so I had a camera that always looked dirty. Along with that, the sharp edges of the camera left me feeling like I was not holding a camera at all. It did not feel good in my hand unlike the SD750IS that had slightly softer edges. Yes, I am way too hung up on aesthetics. But it gets a little more serious.

You see, I am a big fan of the perfect macro shot. I love to get the closest detail. I should probably be carrying around a DSLR, but I really like the convenience of a camera I can stick in my purse without having to worry about it. My SD750IS captured the perfect macro with no fuss. But with the SD790IS, I feel like I am having an argument every time I try to get it to focus in. Oh sure, point and shoot cameras are not supposed to give me absolute flexibility, but I am talking about broad daylight here!

Perhaps I happened upon a defective model. Perhaps my SD790IS is possessed. But I’ll never know because I’ve sold it off to someone who may not be as picky as myself. However, if you’re upgrading from a SD750IS, I suggest you upgrade to a SD770IS. It looks like a better choice.